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By 1907, Holmes had determined that the best way to produce
large quantities of embossed pages would be to modify a regular
rotary printing pressremember he was a newspaper man. He had ascertained that such modifications were feasible, but could
not be completed in time for the first issue of the Ziegler. By the
summer of 1907 the magazine had purchased one press, and a second press was bought that September, along with machinery
to bind the magazine. This equipment was installed in the
magazine's first home on Manhattan's Eighth Avenue and 53rd Street, where a four-room loft was rented.
To a sighted visitor it quickly became obvious that this was no
ordinary publishing operation. There were indeed sighted
women working at typewriters, but also scattered about on desks
and tables were all manner of knitted items, shawls, pink and
blue baby clothing, woven basketsall made by blind people
who had sent them to the magazine for sale. The Ziegler had
also arranged for the large Macy's store to open a department
where items made by blind people were sold at no commission.
In 1911, the magazine moved into larger premises, just a block
away, on 54th Street. This was to be its home for 16 years, and
it became also a home away from home for many blind people.
Blind people visiting New York, and those living or working
there, knew they would be welcome to call on Mr. Holmes and
the staff of the Ziegler. As one reader put it, the office was a
"refuge from the turmoil of the city and a source of inspiration
and hope."
In time, these premises began to prove too expensive, and in
1927 the magazine moved into a former carriage house it had
purchased in Monsey, in suburban New York. The plant stayed
there for 40 years, continuing production every month
throughout the second world war. That was a difficult time
because it was hard to obtain paper of a high-enough quality to
hold the raised dots; readers often encountered holes where dots
should have been. War-time shortages also made it difficult to
repair and maintain the aging machinery properly.
In 1965, production of the braille edition was transferred to the
Clovernook Printing House for the Blind (now known as the
Clovernook Center) in Cincinnati, OH, where it is still
produced. Two years later, the office was moved back to New
York City, where its quarters were rented from the American
Foundation for the Blind. When AFB sold its buildings in 1994,
the magazine moved, in a coincidental completion of a circle,
back to the very avenue on which it had startedEighth Avenue,
but 40 blocks south.
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